The Brother Brothers – Tickets – Mississippi Studios – Portland, OR – January 9th, 2019

The Brother Brothers

Americana darlings—and identical twins—with lovely, confessional songs and haunting harmonies

The Brother Brothers

Faustina Masigat

Wed, January 9, 2019

Doors: 7:00 pm / Show: 8:00 pm

$10 ADV / $12 DOS

This event is 21 and over

Mostly Standing / Limited Balcony Seats

 

The Brother Brothers
The Brother Brothers
The Brother Brothers carry the folk tradition for a new generation. Identical twins David and Adam Moss honor contemporary aches with the nostalgic tenderness of another time on their debut full-length album, SOME PEOPLE I KNOW, out October 19, 2018 on Compass Records. Their stunning songcraft blends masterfully gentle guitar, cello and five-string fiddle with the sublime sort of two-part harmonies only brothers can carry. Their palpably fraternal stage presence and wonderfully familiar heart have earned repute among a modern folk scene; The Brother Brothers have opened for Big Thief, Lake Street Dive, Shakey Graves, and in the fall of 2019, embarked on a 26-date national tour supporting I'm With Her.

Recorded at Mark Ettinger’s Lethe Lounge in New York City with producer Robin Macmillan and engineer Jefferson Hamer, The Brother Brothers capably capture a modern snapshot of their surroundings. Yet, SOME PEOPLE I KNOW retains a timeless feel – something that the brothers were aiming for.

“I just want people to listen to it once and want to listen to it again,” David says of the album. “And every time they listen to it, I want them to find something new and in some way relate it to themselves. Whether they're listening to it today or in 40 years, I hope it will make them feel just the same.”

"Keep an eye out for the Brother Brothers, because they're most certainly what's coming up next". - PopMatters

“Wonderful… fabulous old-time playing and sibling harmony.” - NPR / Folk Alley

“Natural harmonies and evocative lyricism, reflecting a timeless sound and spirit.” - Relix

"a duo that pairs tasteful harmony vocals with two-person musical arrangements that weave together bluegrass and the darker side of folk.” - No Depression

“The closest thing you can find to Simon & Garfunkel in this century.” "The Brother Brothers deserve their own phylum upon an advanced musical strain not yet categorized on the roots music family tree. They are the true sound of roots music evolving. - Saving Country Music
Faustina Masigat
Faustina Masigat
Frustrated by academia and emotionally raw from a breakup, Faustina Masigat stepped away from her peers in her mid-twenties. She had come to realize that her personal and artistic maturation had been stifled by her relationships and her overly angular traditional musical schooling. She knew she needed to spend more time alone, committed to a process of unlearning, before she could move forward. As she peeled back the rigid layers of her youth, she began to write the songs that, a few years later, would make up her debut record. Seeking honesty over perfection, her approach to composition became much more intuitive; seated in the natural expression of not only her emotional life, but also that of a spiritual life, an expression of her own femininity, and a means of self improvement through self reflection. She became obsessed with the old, forgotten, second-hand guitars she would find in the “As Is” section of local music shops, believing that magic and songs still lived in the beat-up wood. One album track, “Willie Nelson”, manifested, fully formed, from one of these guitars - an ancient, labeless individual that she called “Red”.

The songwriting on her self-titled debut is all at once heartbreaking, intelligent, meditative and elegant - centered around a voice that is difficult to attach genre to. There is a quiet intensity running through the world that Faustina creates: sweet and heavy, a touch of angst, brutally honest, smoldering. The album is understated, arranged as to allow Faustina’s effortless rapport with pedal steel player Tucker Jackson (The Minus 5, The Delines) to shine clearest. It’s a spacious and lush debut, with all of her vulnerabilities laid bare in songs hemmed together with fragile intimacy.

Faustina Masigat is out now on Mama Bird Recording Co. It was recorded by Rian Lewis, mixed by Ben Nugent and mastered by Timothy Stollenwerk, all in Portland, Oregon.