Ryan Montbleau (Solo) – Tickets – Mississippi Studios – Portland, OR – November 29th, 2018

Ryan Montbleau (Solo)

The critically acclaimed Massachusetts songwriter, presented with Do503

Ryan Montbleau (Solo)

Kendall Core (Duo)

Thu, November 29, 2018

Doors: 7:00 pm / Show: 8:00 pm

$15 ADV / $20 DOS

This event is 21 and over

General Admission & Fully Seated

Ryan Montbleau
Ryan Montbleau
Ryan Montbleau has been an acclaimed singer, songwriter, and bandleader for more than a decade, but with his new album I WAS JUST LEAVING, the New England-based artist has truly arrived. Contemplative and richly emotive, the album offers a glimpse into the often-lonesome life of the relentlessly traveling troubadour, a strikingly single-minded existence too often clouded by the blur of constant motion. Recorded at New Orleans’ Esplanade Studios over four days in January 2016 with producer Anders Osborne and engineer/mixer Mark Howard (known for his work with such icons as Bob Dylan, Tom Waits, Neil Young, and U2), the album marks Montbleau’s first full length release in the wake of a series of seismic personal shifts. Songs like “Bright Side” and the touching title track reveal a uniquely blessed artist who has truly found his voice, his gift for melody and craft fused with vision and a remarkably open-armed approach.

“There’s no part of this record that I am unsure of,” Montbleau says. “All the juice of the last fifteen years is in there. My humanity and my heart are on this record.”

Montbleau has been among America’s finest songwriters and performers, earning national attention and a fervent fan following with songs like “75 and Sunny” and his breakthrough cover of Tracy Chapman’s “Fast Car,” the latter a Spotify smash with total streams now in excess of 28 million.

After twelve years on the road Montbleau found himself at a crossroads in 2016. “Within a very short time, my world got flipped around. My partner was gone, my band of ten years was gone, my friends were all far away. The one thing I had was a career, because it turns out that was all I had worked on. When the dust settled, I realized I didn’t really have much of a home life.”

“I thought all along that I had been building a home but it turned out I was just leaving. That’s where the title of the song and the record came from. So many raw feelings were just aching through me at that point Eventually they vibrated out through the guitar, through singing. I had to sing these songs.”

An artist’s artist, Montbleau has collaborated with such diverse performers as Martin Sexton, Trombone Shorty, and Galactic. His association with Anders Osborne extends back to 2012 when the New Orleans-based singer/songwriter/guitarist played on Ryan’s Ben Ellman-produced FOR HIGHER alongside such fellow Big Easy icons as Ivan Neville and The Meters’ George Porter, Jr. Two years later, Anders and Ryan reconnected on the road backstage at a festival. The seeds were planted for a collaboration.

Montbleau’s guitar playing and vocals are both front and center on I WAS JUST LEAVING, with Osborne accompanying on drums, percussion, bass, guitar, and harmonica, each used simply and sparsely for maximum effect. Osborne and Howard built upon that same goal, creating space and capturing rawness by utilizing as many early takes as possible.

“Bright Side,” the album’s first single, is perhaps the song most emblematic of Montbleau’s growth as both a human being and artist. At once finely etched and strikingly direct, “Bright Side” is an ideal distillation of his approach to songwriting, balancing multiple shades of emotional nuance with a fearless, unfettered sentimentality that ultimately leads to a greater truth.

I WAS JUST LEAVING marks a singular milestone for Ryan Montbleau, the moment in which this exceptional singer, songwriter, and performer has blossomed into a fully matured artist.

“I’ve been planting these seeds for so long and it has all led up to this moment. It feels like finally the fruits of all my efforts are coming out. I’m still working hard but there’s an ease to what’s happening. I have a career that I’ve built, that I’ve earned. Now what’s fun is putting out the best music I can and seeing what happens.”
Kendall Core (Duo)
Kendall Core (Duo)
The gothic, Folk-Rock sounds of Kendall Core and her band are quickly becoming a compelling presence in Portland, Oregon. Her debut album ‘Crazy Dog’ is inspired by the process of grief and healing.

The vulnerability of Core's lyrics are carried by a soulful warm tone, occasionally operatic, echoing with a haunted yearning (not without moments of diminished brightness.) Her voice cuts through, raw and pure, a perfect vehicle for slow and hard stories about the darker side of life. The lyrics are born of troublesome questions and truths leaving just a few windows where light breaks in. There is a guarded hope in her reflection along with time-worn wisdom, captivating when discovered in someone so young.

The overall sonic impression of the group offers a timeless and nostalgic feeling one might expect from traditional Americana roots. However, the players incorporate a heavier texture that betrays them as contemporary. 'Crazy Dog' may be the most appropriate soundtrack for a pensive and longing shift, alone on a barstool, that ends in knowing not all has fallen apart. These songs reflect the poetry and passion of visionaries like Patti Smith, Neil Young, Neko Case and Jeff Buckley.

Crazy Dog was produced, engineered, and mixed by Justin Phelps at Hallowed Halls in Portland, Oregon. Kendall Core co-produced the album. It was mastered by John Baldwin. The record features Taylor Kingman (Guitar, Bass), Alexis Mahler (Cello), Buddy Weeks (Drums), and David Lipkind (Harmonica).