The Travelin’ McCourys – Tickets – Mississippi Studios – Portland, OR – November 25th, 2018

The Travelin' McCourys

Renowned Bluegrass family band and 21st Century pilgrims

The Travelin' McCourys

The Jacob Jolliff Band

Sun, November 25, 2018

Doors: 7:00 pm / Show: 8:00 pm

$22 ADV / $25 DOS

This event is 21 and over

Mostly Standing / Limited Balcony Seats 

The Travelin' McCourys
The Travelin' McCourys
Travelin' McCourys
From a source deep, abundant, and pure the river flows. It's there on the map, marking place and time. Yet, the river changes as it remains a constant, carving away at the edges, making new pathways, gaining strength as it progresses forward. The Travelin' McCourys are that river.
The McCoury brothers- Ronnie (mandolin) and Rob (banjo) - were born into the bluegrass tradition. Talk about a source abundant and pure: their father, Del, is among the most influential and successful musicians in the history of the genre. Years on the road with Dad in the Del McCoury Band honed their knife-edge chops, and encouraged the duo to imagine how traditional bluegrass could cut innovative pathways into 21st century music.
"If you put your mind, your skills, and your ability to it, I think you can make just about anything work on bluegrass instruments," says Ronnie. "That's a really fun part of this- figuring the new stuff out and surprising the audience."
With fiddler Jason Carter, bassist Alan Bartram, and latest recruit Cody Kilby on guitar, they assembled a group that could take what they had in their DNA, take what traditions they learned and heard, and push the music forward. In fact, the band became the only group to have each of its members recognized with an International Bluegrass Music Association Award for their instrument at least once. There were peers, too, that could see bluegrass as both historic and progressive. Rock and Roll Hall of Fame inductees The Allman Brothers Band, improv-rock kings Phish, and jamband contemporary Keller Williams were just a few that formed a mutual admiration society with the ensemble.
The band played the Allman's Wanee Festival, and guitarist Warren Haynes' Christmas jam- an annual holiday homecoming of Southern music. An early-years jam with the Lee Boys was hailed by many as the highlight of the evening, and with the video catching fire online, earned a legion of new, young fans of their supercharged combination of sacred steel, R&B, and bluegrass. There were unforgettable collaborations with country smash Dierks Bentley, and onstage magic, jamming with titans String Cheese Incident and Phish, cutting an album with Keller (Pick), and creating the Grateful Ball- a tribute concert-turned-tour bridging bluegrass with the iconic music of the Grateful Dead.
"That's something that's part of us being who we are," says Ronnie. "It comes, too, with us plugging in. It gets louder, for sure. We can't be another version of our dad's band. It wouldn't make any sense for us to do that."
Their concerts became can't-miss events, whether headlining historic venues or as festival favorites, drawing the love and respect of a growing fanbase craving their eclectic repertoire. At the 2016 edition of DelFest, an annual gathering of the genre's best aptly named for the McCoury patriarch, the band delivered the take-away highlight. Rolling Stone called it "a sublime combination of rock and bluegrass, contemporary and classic, old and young. The best set of the festival…" The river was going new places, getting stronger. It was time to re-draw the map.
"We've tried to pick songs we think people are going to enjoy," says Ronnie. "Something we learned from our dad is that a good song is a good song. It can be done in any way."
So arrives the long-awaited, self-titled debut album from the quintet. A brilliantly executed set overflowing with inventive style, stellar musicianship, and, of course, plenty of burnin' grass, the 14-song collection is a true culmination of their decades-long journey. From the headwaters of Bill Monroe and the waves of Jerry Garcia to a sound both rooted and revolutionary, soulful and transcending that belongs only to the Travelin' McCourys.
"The album definitely shows what we've evolved into as a band. And, it's a pretty good representation of what's happening with the whole genre," says Rob. "The old bluegrass material is something I love but it's been done many times. We're forging ahead with our own sound. That's what you have to do to make it all work."
The Jacob Jolliff Band
The Jacob Jolliff Band
Jacob Jolliff was born into a musical family in Newberg, OR. His dad started him on the mandolin at age seven and required him to practice ten minutes a day. But after six months of practicing this minimal amount, something clicked, and almost overnight he started putting in several hours of intense practice daily. And this hasn't really changed in the last 20 years.

Throughout middle school and high school, Jacob picked in a bluegrass gospel band with his father. They played festivals and churches throughout the northwestern United States, and became a staple at the Sunday morning gospel shows. During this time he had the opportunity to meet and play with many of his heroes, including Ronnie McCoury, David Grisman, and Chris Thile. Though Jacob was mostly self-taught at this point, lessons with great players such as these kept him inspired and moving forward.

When he was 18, Jacob was awarded a full scholarship to The Berklee College of Music in Boston. He moved to Massachusetts to start school in 2007, along with a lot of the other young musicians he had grown up with. There he studied under the late mandolin great John McGann, who was a huge influence. Under John's supervision, he spent many six-hour practice days working on a variety of styles from bluegrass to jazz to celtic music. In 2008, during his sophomore year of college, he joined the New England based roots music band, Joy Kills Sorrow. Over the next few years the group toured extensively throughout the United States, Canada, and Europe, playing hundreds of clubs, theaters, and festivals. Because of the group's rigorous schedule, it was a challenge for him to stay in school, but he still managed to graduate in 2011. Shortly after, in 2012, he won the National Mandolin Championship in Winfield, Kansas.

In 2014, after three records, hundreds of shows, and thousands of miles in a 15 passenger van, Joy Kills Sorrow went on an indefinite hiatus. Fortuitously, as this chapter of Jacob's musical journey ended, another important one began. Within a couple weeks of the band's last show, the young mandolinist got a call from the progressive bluegrass jam group, Yonder Mountain String Band. They had parted ways with their original mandolin player and were looking to try out someone new. Jacob went on his first tour with YMSB in June of that year. He immediately connected musically and personally with the band, and they asked him to play the rest of 2014 with them. In May 2015, they announced him as an official member. Thus far they've released one album, Black Sheep, featuring Jacob and are currently working on another.

The up-and-coming mandolinist continues to tour with YMSB and has recently started a new project. He called on a handful of his favorite jamming buddies--some of the most virtuosic young pickers in the northeast--and started a progressive bluegrass ensemble, The Jacob Jolliff Band. The group features a lot of Jacob's original instrumentals, as well as showcasing his singing, which has been a big part of what he does in recent years.

Over the years, Jacob has had pleasure of sharing the stage with many legendary musicians spanning many genres including Darol Anger, Sam Bush, Ronnie McCoury, Jerry Douglas, Bryan Bowers, John Popper, The David Grisman Quintet, Widespread Panic, The String Cheese Incident, Michael Daves, and many more. Currently, he lives in New York City, and can be heard around town playing with his own projects as well as sitting in with his friends' groups in a wide range of styles.