The Domestics – Tickets – Mississippi Studios – Portland, OR – June 2nd, 2018

The Domestics

Tight and melodic Portland rock group with 2017 LP full of studio wizardry, 'Little Darkness'

The Domestics

NICK DELFFS, Sunbathe

Sat, June 2, 2018

Doors: 8:00 pm / Show: 9:00 pm

$10 ADV / $12 DOS

This event is 21 and over

Mostly Standing / Limited Balcony Seats 

The Domestics
The Domestics
What separates The Domestics from the escapism of so many other indie pop acts is the fearlessness with which Michael Finn and Leo London confront their own pain. London’s birth parents both battled with drug addiction in his early childhood before he was adopted by his grandparents at the age of two. Finn’s trials came later on, struggling with health issues, depression and dependency in his early adult years. Writing in the aftermath of infidelity, mental illness, substance abuse and child abuse, Finn and London have wrought songs as moving as they are catchy and as honest as they are loud. What The Domestics provide that so many other bands do not is something which all listeners can relate to: vulnerability.

Long before they decided to join forces as The Domestics, Finn and London each spent years honing their craft as individual songwriters. After moving to Portland in the summer of 2013 after over a decade of writing and performing under his own name in Eugene, London found himself tracking piano for Finn at Flora Recording and Playback, studio of Grammy-Nominated producer Tucker Martine where Finn works as an assistant engineer alongside artists like My Morning Jacket, The Decemberists, Modest Mouse, Neko Case, and Sufjan Stevens. This first studio collaboration began a relationship which would eventually lead to the combination of Finn and London’s respective solo projects and to the recording of their first record over 15 days in the spring of 2014.

Less than a year after assembling a live band, The Domestics have triumphantly emerged as one of Portland’s most promising new acts. Their energetic live shows, as well as the strength of their forthcoming debut record have garnered them a dedicated fan base and maelstrom of critical attention.

The Domestics are: Michael Finn, Leo London, Kyle Moderhak, Matt Moore, and Brad Norton.
NICK DELFFS
NICK DELFFS
Nick Delffs is a seeker. He’d never identify himself that way. He’s unassuming and self-effacing, careful to discuss song meanings and biographical details without indulgence or melodrama. Delffs cut his teeth playing basement shows in Portland a dozen years ago, just before that city’s cover was irreversibly blown. It was a time when being musically ambitious meant impressing other local musicians. You were a joke, in that world, if you proclaimed yourself an artist or promoted your band with any zeal. So Delffs would probably find “seeker” a rather grandiose title.

But Nick Delffs is, in fact, a seeker. He’s an old-school rustler of the human condition; a tireless navigator of social and spiritual landscapes; a genuinely curious and wide-eyed, mankind-enthusiast. Soon after meeting him, one gets the impression that Delffs could be dropped in some far corner of the Earth and he’d not only survive, but he’d make a lot of friends—maybe even start a new band. In both casual conversation and his songwriting, Delffs gravitates to the universal. That’s his search. His life’s work is in the identification and removal of our shared illusions. And that is, largely, what Delffs writes songs about. Songs come to him when he’s “feeling detached from the world but totally in love with it at the same time,” he says. “Mostly they come when I am patient and I don't need them or care about them too much.”

They happen to be pretty catchy songs. Delffs first emerged in 2003 as the frontman for the seminal Portland band The Shaky Hands, known for their jangly, pulsing and introspective songs and their high-energy live shows. The band would sign to the venerable Kill Rock Stars imprint and tour internationally with bands like The Shins and Meat Puppets.

The Shaky Hands went on hiatus in 2011, and the changes came fast and furious for Delffs. He released a stripped-down, self-titled EP as Death Songs. He became a father. He relocated to Idaho. He took odd jobs and worked as a landscaper. All the while, he was strengthening his musical chops by collaborating with artists like Luz Elena Mendoza (Y La Bamba) and Ali Clarys—both of whom play important roles on his new LP, Redesign.

Living in Boise, Delffs remained a beloved figure throughout the Northwest—traveling often and moonlighting in friends’ touring bands. Slowly, through collaboration and time off, the pressure of being a full-time songwriter subsided and a thrilling new confidence emerged in Delffs’ own work.

“I like to disassociate myself with being a songwriter,” he says. “I like to forget I even do it. In the past that would have freaked me out, but I have a healthier relationship with my songs now. It’s less codependent.”

Redesign is the first full-length album Delffs has ever released under his own name. He first shed the Death Songs moniker in 2015, when he unceremoniously dropped a four-track EP of fantastic story-songs simply titled Home Recordings, and last year Mama Bird released Delffs’ reworking of the traditional English Christmas carol, “As I Sat on a Sunny Bank”. But Redesign is a self-contained universe of songs that play with themes that, on the surface, seem at odds with one another: longing for nature (“Somewhere Wild”, an ode to off-the-grid living) and learning to take responsibility (“Song for Aja”, a sweet and percussive tune about Delffs’ now six-year-old son that recalls Cat Stevens and Paul Simon). Musically, these themes are stitched together by the album’s warm, organic production and Delffs’ playing—he’s behind every instrument on the record—but Delffs also connects those seemingly disparate dots under the heading of Redesign. Heading into wilderness provides the insight for dealing with life’s heaviness; the responsibility of being a parent is also an opportunity for endless imaginative self-exploration.

The title track, “Redesign,” was written during a rafting trip in Eastern Oregon. “I couldn't go for the full three days, so I went for one day and hiked back to my car alone,” Delffs says. “It took maybe nine hours, and I had no shoes, and there were rattlesnakes. I took naps, I sang in caves. I felt like I let a lot of things go on that walk.”

A redesign means “to change out the parts of yourself that don't work, or don't serve anyone,” Delffs explains. “And if you are changing and growing, your relationships have to as well. It seems like redesigning our relationship with the world—and staying open to change and curious about the future—is more important now than ever.”

This is what you can depend on from Nick Delffs. In a world of noise and madness, he will use his music to try and scratch at something human and real. Something helpful. Nick Delffs is a seeker. He shares his discoveries. Redesign is his greatest gift yet.

Redesign will be released on July 21st from Mama Bird Recording Co.
Sunbathe
Sunbathe
Real music, from a real person, feeling real feelings.
The solo project of Maggie Morris from Genders.