Blackwater Holylight – Tickets – Mississippi Studios – Portland, OR – April 12th, 2018

Blackwater Holylight

A record release celebration for the PDX-based heavy psych band's debut full-length

Blackwater Holylight

Weeed, Gardener

Thu, April 12, 2018

Doors: 8:00 pm / Show: 9:00 pm

$7 ADV / $10 DOS

This event is 21 and over

Mostly Standing / Limited Balcony Seats 

Blackwater Holylight
Blackwater Holylight
The notion of “heavy music” is continuing to expand of late, with many intrepid artists finding new ways to incorporate the power of traditional metal into new music, but without all of its trappings. Enter Portland, OR quartet BlackWater HolyLight to further swirl musical elements into a captivating hybrid of emotional intensity. Heavy psych riffs, gothic drama, folk-rock vibes, garage-sludge and soaring melodies all collide into a satisfying whole with as much contrast as the band’s name itself.

“I wanted to experiment with my own version of what felt ‘heavy’ both sonically and emotionally,” says founder and vocalist/bassist Allison Faris. “I also wanted a band in which vulnerability of any form could be celebrated.” BlackWater HolyLight — Faris, guitarist/vocalist Laura Hopkins, drummer Cat Hoch and synth player Sarah Mckenna — formed upon the breakup of Faris’ longtime band and she sought a fresh start. “In my last band I was the only female in a group of 6, so I wanted to see how my song writing and vulnerability could glow taking the drivers seat and working with women.”

The band’s self-titled debut begins with a simple, almost grunge-like riff as a chorus of voices introduce a melodic line in call-and-response until the band kicks in, slowly building into crescendo like a lost outtake from Led Zeppelin’s Houses of the Holy. Elsewhere, “Sunrise” begins with a chorus-drenched post-punk groove until a sonic boom of heavily distorted guitar skree erupts out of nowhere. Nearly as suddenly, the song returns to its lulling core, subtly building the tension until it ruptures completely in a blast of noise. Likewise, “Carry Her” establishes a dark, sparse melody and distinctly thin sounding drums not far removed from early work of The Cure. However, BlackWater HolyLight’s penchant for surprise attack finds a sudden shift into a doom-like dirge, colored with eerie synth notes and pounding shards of fuzz. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace. The band expertly, yet subconsciously, incorporates hints of Chelsea Wolfe, Celebration, Captain Beefheart, The Raincoats, The Stooges, Pink Floyd, Jane’s Addiction and more to form their unique brand of dark’n’heavy transcendence.

BlackWater HolyLight was recorded by Cameron Speice at Gold Brick Studios and The Greenhouse, and with Eric Crespo at Touch Tourcher Recording in Portland. The album will be available on LP, CD and download on April 6th, 2018 via RidingEasy Records.
Weeed
Weeed
WEEED features a quartet of best friends jammin’ on double drum sets, electric bass, guitar, flute, vocal harmony and ambient live looping. Their blend of heavy psychedelic wildness, trance and improvisation draws influence from musical traditions around the world as well as the sensuous landscape they call home in the Pacific Northwest.

Since 2009, they have produced a number of albums, extensively toured the US and shared the stage with bands such asAcid Mothers Temple, Wand and Dead Meadow and have often been compared with King Gizzard & The Lizard Wizard, Fuzz and Pink Floyd.