No Age – Tickets – Mississippi Studios – Portland, OR – February 22nd, 2018

No Age

Mississippi Studios and Beacon Sound present the acclaimed LA noise/punk duo with a new LP

No Age

Flesh World, Brin

Thu, February 22, 2018

Doors: 8:00 pm / Show: 9:00 pm

$12 ADV / $15 DOS

This event is 21 and over

Mostly Standing / Limited Balcony Seats 

No Age
No Age
With the world around us bruised and bloodied with teeth already dug into the concrete curb, we find ourselves with the shadow of a large boot looming overhead. What better time for No Age? Remember, they are the ones who first brought you the hospital-bed-feel-good-anthem, “Get Hurt” (2007). They know how to ecstatically rage and power on thru pain, because what else are you gonna do? The future belongs to the cockroaches, and this record is made for the disparate band of misfits who 2017 couldn’t kill.
Yeah. New No Age! Not new age No Age (except for the odd “Sun Spots”/“Keechie”-style shimmer that only ever makes everything better), but definitely an age of album-making located somewhere beyond and back from where we last heard ’em in aught-13, when they’d wrapped their process in as much deconstruction as An Object could bear. Reimagined rippers, compelling ever forward; something that provokes challenges on the ear — that was always the goal, but after a few years spent not No Age-ing, just working on that thing called life, is it any wonder that Dean and Randy wanted to pump out some rock and roll for the black hole? Does time mean nothing to you? Don’t answer that.
Snares Like a Haircut sounds like the good shit, and smells like the buzzy burning off of an aura, the marine layer suddenly vanished, leaving a thin layer of smog over the songs, simmering sock gazing tunes, revved and displacing enormous amounts of sound soil. This is pure driving music, for the bus racer and the car driver, with too many signs, bells and little lites flashing, ticking away. This is a record for the Foothill and the Valley, with a chemical sunset flowering at the end of every day. It’s a feeling made by driving music for driving music.
Recorded in a few days and mixed forever, Snares Like a Haircut finds No Age in full on mode, because there was nothing else to do but go full on. In the songs inside the songs, the thumpy/thwappy drums, the desperately voiced paens to determination, the churning and the stinging-but-shiny fuck-it built into the structure, a promise from the 1980s echoes once again across today, for the undetermined in-between generation reality seekers.
With Snares Like a Haircut, No Age scrub the itch in the little moments, engage actively with the process and carve/plaster/shave something in an album shape that’ll last.
You don’t have to drive, but you can’t stay here. Let No Age do all the driving for you. Snares Like a Haircut.
Flesh World
Flesh World
Flesh World are back with a new batch of hooking dream punk gems. Their forthcoming, sophomore album 'Into The Shroud' - the first for Dark Entries Records - is out September 8.

Each song on 'Into The Shroud' speaks to a chaotic or sometimes eclectic period of influence of different books, ideas, drawings, saints, stories, and aims gathered in the two year writing process since the previous album ('The Wild Animals In My Life'). Themes of this record include writer, advice columnist, and Dreamland actress Cookie Mueller, the youth's effect on the general political psychosis of nostalgia, icon Billy Fury, and the writings and drawings of Jean Cocteau as a hovering guide for living with less rules.

The record is a topological map showing the cities of the Bay Area and Los Angeles in rapid change, looking to the books, records and artists paid study to in order to create continuity in the constant flux of the city, the punk show, the gay world, and the rest of the environments Flesh World insulate themselves in for survival.

Flesh World's Jess Scott and Scott Moore met in 2012 while loitering around the Panhandle district , listening to records, gossiping, and playing live shows around town with their bands (Scott plays in hardcore group Limp Wrist and Jess played in the indie pop band Brilliant Colors). The pair immediately bonded over a shared love of The Velvets and The Mary Chain. They began writing songs in Scott's lofted bedroom in the city and took their name from a XXX magazine.

The group's dynamic has greatly solidified on this album with a brilliant new rhythm section. Flesh World find it easy to be influenced by a range of musicians from the guitar flourishes of Alan Rankine of the Associates, the swinging notes Johnny Marr of the Smiths, to the romantically desperate vibe of Roland S. Howard and Nikki Sudden, to the razor thin vocals of Jenny Ross from Section 25, the androgynous vocals of Roy Orbison, to the structured synths of OMD.

'Into the Shroud' was recorded with Jack Shirley at The Atomic Garden in East Palo Alto, California . There always seem to be incidental forces at work in gathering characters for a Flesh World record: during the previous LP, Scott had just finished reading The Secret Historian which profiles gay lifestyle photographer and pornographer J. Brian, and when the group found the LP cover photo at a garage sale they realized it was also taken by J. Brian. This time around Cookie Mueller seems to be watching over the process; Scott recently saw two art shows in one day in New York; one that was imagined merchandise that would have been produced if John Waters films were marketed to children and the other about AIDS, the common thread was Cookie, whom Jess wrote about in "This Great Cheap Face" on the current record.

Flesh World is Scott Moore (Guitar, Synths), Jess Scott (Vocals, Guitar), Andrew Luttrell (Bass, Backing Vocals) and Sam Lefebvre (Drums).