SOLD OUT: Okkervil River – Tickets – Mississippi Studios – Portland, OR – May 5th, 2017

SOLD OUT: Okkervil River

The influential indie rock outfit from Austin, Texas performing as an acoustic trio

Sold Out: SOLD OUT: Okkervil River

Bird Of Youth

Fri, May 5, 2017

Doors: 8:00 pm / Show: 9:00 pm

$20 ADV / $25 DOS

This event is 21 and over

Mostly Standing / Limited Balcony Seats 

Okkervil River
Okkervil River
Fresh off their widely acclaimed 2016 record "Away," Okkervil River have announced a special limited run of acoustic trio shows which will feature fan requests and rarities. These are the first trio shows the band has ever done, and will be limited to four intimate concerts in unusually small rooms. “We wanted to alternate the big rock band thing with something smaller and more songwriting-centered and spontaneous,” says the lead singer and songwriter Will Sheff. "After we had such a rewarding year with "Away" it seemed like a fun idea to play some up close and personal shows, and include requests and surprises." Okkervil River's "Away" was named one of the best records of 2016 by media including Wall Street Journal and The Atlantic and hailed by NPR as "graceful and evocative.”
Bird Of Youth
Bird Of Youth
Did you ever want to burn down your whole life? Just burn the fucker right down to the ground and start over all over again?

On Bird Of Youth's wrenching and inescapably gripping new full-length Get Off, Brooklyn-based singer/songwriter Beth Wawerna arrives, matches in hand, at a life perched on ruin.

Following on the heels of 2011's debut Defender, Get Off is the second album from Bird Of Youth, released after five years of tribulation, tragedy, missteps and false starts. Midway through the process of rendering the follow up, Beth's father unexpectedly passed away, sending her into a spiral of self-doubt and self-destruction. Some wretched person once advised "eat, pray, love" as the prescription for a life gone off the rails. Bird Of Youth proposes something more like "drink, drug, fuck."

Get Off's ride is at once harrowing and exhilarating, fraught with the wreckage of lost youth and lost life, long narcotic nights and dreams hanging in the balance. From the Imperial Bedroom-style confessional snapshot of "Passing Phase," to the unstoppably catchy kiss-off "Sons & Daughters," to the psychedelic strung-out/freak-out of "Burn," Get Off is both reflective and reactive – a trial by ordeal and self-realization through personal annihilation. As a document of a single season in hell, Get Off is reminiscent of similar breakthrough-by-way-of-breakdown albums like Big Star's Sister Lovers and Harry Nilsson'sPussycats – albums whose total vulnerability both draw you in and leave a bruise.

Whether she's daring to be great or daring to be gone – lashing out or looking in – the high stakes of Beth's songs never feel less than fully engrossing. Like Joan Didion set to the beat of The Pretenders, Bird Of Youth's late night tales seduce you with fantasy and send you home chastened but satisfied. With lines like, "She fakes for dates and they take the bait but she makes them wait for old time's sake / She hates, she breaks and then she leaves," Beth sketches shattered characters that you earnestly root for as they grope through the void for the thing that will fix them – even if it's just a fix. Reflecting the tough dealing of its author, Get Off is both a first person account from an island of grief and the halting first steps towards a new beginning.

This is Bird Of Youth's first release since signing to Kiam Records alongside critical favorites Jennifer O'Connor and Amy Bezunartea. Delivering on the promise of its predecessor, Get Offrepresents the full flowering of Beth as a singular voice. Abetted by stunning arrangements from lead guitarist, co-producer and main collaborator Clint Newman, crackerjack performances from the rhythm section of Johnny North and Ben Lord and expert mixing from John Agnello (Sonic Youth. Kurt Vile, Breeders) and Phil Palazzolo (Ted Leo, Neko Case), Get Off is a sonic triumph commensurate with its emotional impact.