Summer Cannibals – Tickets – Polaris Hall – Portland, OR – February 15th, 2020

Summer Cannibals
Explosive, subversive and melodic Portland rock faves with epic live show

Summer Cannibals

Alien Boy

Polaris Hall
All Ages
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DOORS 7PM / SHOW 8PM

$15 ADV / $17 DOS

THIS EVENT IS ALL AGES

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Summer Cannibals

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You know what you did, you know what I saw. Now I take back my doubt so that you’ll crawl.

Summer Cannibals’ fourth album Can’t Tell Me No, out June 28th on Tiny Engines, is a defiant release whose very existence is the result of taking back power—after escaping a manipulative personal and creative relationship, guitarist/vocalist and bandleader Jessica Boudreaux chose to scrap an entire record that had been finished for over a year and start from scratch. “We had to sacrifice an album we’d worked hard on so that someone abusive and manipulative couldn’t benefit from it,” says Boudreaux. “It was, in a matter of 24 hours, making the decision to start something new or let them win.”

Creation and determination prevailed; along with Cassi Blum, Devon Shirley, and Ethan Butman, Boudreaux wrote and recorded and mixed many of the new tracks during 14-hour days. She and Blum hunkered down in Boudreaux’s home studio, where they had been already been engineering records for other bands, and finished Can’t Tell Me No as Summer Cannibals’ first entirely self-engineered and produced album.

“Writing this record and making it ourselves was about liberation from the parts of an industry that have protected abusers for way too long, and about saying fuck you to the people who have invalidated my and so many others’ experiences of abuse,” says Boudreaux. “It's really easy for people to condemn the government and figures we see on the news,” says Boudreaux, “but those same people often fail when it comes to standing up to and calling out the people in their lives who are just as evil.” Songs like “False Anthem” confront this cowardice; “Hate who they are, say you hate what they do,” snarls Boudreaux against an insistent, hard-charging guitar, “but you love all the things that they promise you.”

The Cannibals formed in 2012 and gained a fervent following on the local Portland scene, eventually playing with some of their musical heroes including L7, Mudhoney, Stephen Malkmus and the Jicks, and The War on Drugs, and touring with Ted Leo & the Pharmacists and Cursive. They've played some major festivals including Sasquatch, Project Pabst and Riot Fest, and made their TV debut in 2016 on Last Call with Carson Daly. Along the way, they released 2013’s No Makeup and 2015’s Show Us Your Mind on their own label, New Moss Records, and 2016’s Full Of It on Kill Rock Stars. Show Us Your Mind appeared on NPR’s Sound Opinions Best of list in 2015, and Pitchfork said that on Full Of It, the Cannibals “expertly balance flame-belching Mad Max riffage with lyrics frankly exploring questions of co-dependence and need.”

Now with Can’t Tell Me No, the Cannibals are as honest and confrontational as they’ve ever been; though ironically, more harmonious as a band. With the inspiration and adrenaline driving the new album’s creation, the current members of Summer Cannibals are working together in a new, reinvigorated way. “This is the first time that we've had all four members who are really dedicated and care about their role in the band,” says Boudreaux. “We function as a unit and everything goes so smoothly. I think we all feel very supported.” That support comes through in the confidence on songs like “Like I Used To,” a self-assured anthem to the renewal that comes with independence and leaving violent toxicity behind you.

Because where there is anger there is also hope, and Can’t Tell Me No is, as much as anything, about finding love and acceptance on the other side of pain. “Part of getting over my past has meant looking forward and letting myself know that I'm capable of love in the context of an honest, open and communicative relationship,” says Boudreaux. Songs like “Into Gold” encapsulate this; a warm,Be My Baby manifesto that promises “I’ll be the one to want to break this mold, pull you out of the dark and back into gold.”

And on a larger scale, Can’t Tell Me No stands up not just to a relationship or an industry, but to the people and constructs that have been trying to silence women and hold them down for so long. “It’s about doing the right thing,” says Boudreaux, “even when it’s terrifying.”

Alien Boy

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Alien Boy is a loud gay band from Portland, OR writing love songs for queers. It’s dreams and queer feeling, and it’s for you not them.

In a scene where abstruse lyrics and ironic detachment are all the rage, Alien Boy’s high-stakes, loud pop is as refreshing as it is surprising. In the grand tradition of emo and pop-punk—and perhaps rock ’n roll in general—lead singer and songwriter Sonia Weber uses her songs to communicate subdued desires and secret grievances. Alien Boy’s debut LP Sleeping Lessons is a collection of lullabies for the pop masochist; like all good, emotional music, Weber’s songs are resonant because they’re unmistakably human.

Alien Boy takes their name from a Wipers song, but elsewhere the group’s PNW lineage is felt in a mordant grit gleaned from Team Dresch and early Heatmiser. It sets the tone for Weber to mix her deep-seated love of early 2000's generational touchstones with a Britpop frostiness to brilliant and totally unique results—from the tremolo dives and Stone Roses references on Ride-y opener “Somewhere Without Me”, to the sun-kissed, sub-three-minute power pop bliss of “600 Days”. Weber’s melodies are so bright and effective it’s easy to forget they come from a place of absolute emotional torment. (Mo Troper)