Tim Kasher – Tickets – Mississippi Studios – Portland, OR – April 30th, 2017

Tim Kasher

Beloved Omaha songwriter (Cursive, The Good Life) with an ambitious new solo LP, No Resolution

Tim Kasher

Allison Weiss

Sun, April 30, 2017

Doors: 8:00 pm / Show: 9:00 pm

$13 ADV / $15 DOS

This event is 21 and over

Mostly Standing / Limited Balcony Seats 

Tim Kasher
Tim Kasher
Tim Kasher, with his bands Cursive and The Good Life or as a solo artist, has continuously pushed musical boundaries over his career, which has produced 17 LPs and EPs over 20 years. His fearless attitude is easily evident: he’s known for switching up sounds between his bands or his solo work (even switching up sounds on each project’s albums), crafting intricate concept albums (two of which – Cursive’s 2003 LP The Ugly Organ and 2012 LP I Am Gemini – featured play-like stage directions), and transforming songs originally conceived as a soundtrack for his self-penned screenplay into a standalone album (The Good Life’s 2007 release Help Wanted Nights).
Kasher’s forthcoming third solo album No Resolution (which will also be the first release from 15 Passenger, the new label founded and run by Cursive) is no exception, delivering what is arguably his most ambitious and intrepid work to date.
No Resolution is the natural continuation of Tim Kasher’s constantly evolving body of work. It is his most cinematic creation, a moving and cathartic collection of soundscapes that feels more like a suite of movements than a standard pop album, complete with instrumental breaks conjoining the nine songs. Fittingly, the 15 pieces will be featured in Kasher’s directorial debut film of the same name, which he also wrote, to be released later this year. Across the album’s strong story the characters – an engaged couple on the brink of a break up – grapple with the specific and the broad, including the restlessness of adulthood and smothering external pressures; relationships in various states of transition and the walls built within them; distrust, indecision, and despair; and the existential anxiety that drives a deep need to leave a mark on the world.
Filled with lush arrangements, No Resolution is some of the most beautiful and finely orchestral music from Kasher, yet it is also his most subdued and understated work. The string arrangements that dominate the album don’t simply hang in the background or accent the pretty melodies, they move the songs forward and force out the melodies as guitars do in traditional hard rock music. There is also a warm sophistication to No Resolution, with its fluid vibraphone tones, and also exhibits Kasher’s deft pop hand, with sudden horn blasts and dynamic shifts.
Kasher recorded the album at The Hobby Shop (with Andrew ‘mudrock’ Murdock) and at home in Los Angeles, CA, the Shape Shoppe in Chicago, IL (with Nick Broste), and at ARC Studios in Omaha, NE (with Ben Brodin), with additional arrangements by Patrick Newbery (Cursive, Oquoa) and percussion arrangements by Dylan Ryan (Sand, Rainbow Arabia).
Allison Weiss
Allison Weiss
Call it cliche but sometimes a musician's inspiration can be broken down simply. Some are inspired by fame and money and some just want to tell their story to everyone. The latter is the best way to describe 25-year-old singer-songwriter Allison Weiss. "When I started playing, I wasn't so much inspired by other musicians as I was inspired by the need to get a feeling out into the world," she states. Weiss' honest, catchy, folk-infused powerpop have attracted a devoted fanbase over the last few years. While her music has changed stylistically, her passion to create music hasn't. "I've always been a writer. I've got a lot to say to people and the only way I know how to do it is through pop songs."

Weiss first picked up the guitar at the age of 14. Inspired by pop punk and the ups-and-downs of young relationships, her journey began. Throughout it all, Weiss always embraced a DIY ethic. "I've always been a shameless self promoter. I never counted on finding anyone who believed in me as much as I did, so I just learned to handle everything myself" she says.

Confidence in herself mixed with natural online marketing skills has helped Weiss' spread her music to new audiences. Two highly successful Kickstarter campaigns resulted in New York Times and Wired Magazine features and a panelist position at SXSW.

It was at this point, Weiss made one of the biggest decisions of her life and moved to Brooklyn. The change of scenery brought a whole new mindset when it came to making music. "In the past I was just a sad teenager in my bedroom writing hopeless breakup songs. I'm still a sad teenager on the inside, but I'm also a pretty happy adult trying to figure myself out and talk about love in a more mature way," Weiss reflects. Weiss' maturity shined on the self-released I Was An Island EP.

Earlier this year, Weiss received one of the biggest honors of her young career. She was handpicked by Lou Reed to join his backup band for a European tour. While some might be intimidated by the presence of a rock legend, she tried to absorb as much as possible from the experience. "Our soundchecks were two hours long and he'd be there the whole time, breaking a song down into the tiniest parts, perfecting the sound." Weiss remembers. "He has this way of breaking you down with brutal honesty and building you back up with the most genuine praise. One minute he looks you in the eye and says your note was terrible. The next minute he stops the song to tell you how beautiful you just sounded."

If she took anything from Mr. Reed however, it was the reminder to always have fun and enjoy the ride. The sky is the limit at this point for Ms. Weiss. "My favorite moment is right now. I feel like I've just made the record I've been dying to make. I started playing electric guitar again. I got my hands on a tour van. I played in Europe with a legend. I flew over the Atlantic four times this summer. I've got this constant feeling that something great is about to happen."